Black and White Ebony Ukulele
Yikes! It’s almost Christmas. Here’s a Black and White Ebony Ukulele finished just in time. This is a super tenor shape.
It’s All About the Wood
Back and Sides: Asian Black and White Ebony. This is one tough wood to work with. It’s difficult to cut, dry and bend. It is very prone to cracking. It is pretty though, takes a finish very well and has a very reflective tonal quality.
Sound Board: Alaska bear claw Sitka Spruce. Most of my sets from Alaska with this figure have pretty wide growth rings. It’s odd but I like the tone of these woods for ukulele as opposed to the tight grained stuff.
Neck: No solid billets of spalted Tamarind Wood left, so I did some lamination with left-overs from previous builds. The colors of the tamarind match the colors of the black and white ebony perfectly. Sanded finish.
Accent Woods: Black and White Ebony all the way.
Fret Board and Bridge: Yup, more black and white ebony. I did bind the fret board for appearance. I’m finding with some of these exotic wood builds that using the same wood, if available, for the accent pieces looks pretty appealing.
Binding: Richlite Ebony with maple/black purfling.
The Rest of the Build
Strings: Pepe Romero in high “G”.
Tuners: Gotoh UPT.
Nut and Saddle: unbleached Bone.
Peg Head Inlay: Killer Whale in black and white MOP. I am using the “old” peg head shape here (by request) in order to accommodate the inlay in this position.
And
I prefer low “G” tuning but this instrument sings. I did adjust the nut slot for both combinations. I’m sure that the reflective qualities of the ebony are helping with projection here. Feels good, looks good and sounds good. I guess that’s what a Black and White Ebony Ukulele should be.
Wishing you all my best for this season and next. Happy Holidays!
Da Kimo