Honduran and Redwood Baritone Ukulele - Custom Build-Sold

Looks like this may be another baritone year.  This is a Honduran and Redwood Baritone Ukulele.

Honduran and Rosewood Baritone Ukulele

Old growth redwood sound board.

It’s all about the wood.

Back and sides:  Honduran Rosewood.

Honduran and Redwood Baritone ukulele

Yikes! Honduran Rosewood.

Sound Board: ’94 Redwood.  I’m calling this ’94 because, according to my supplier, it was cut in that year.  I guess we can say it is well seasoned and uniform of grain.

Honduran and Redwood Baritone Ukulele

“94 redwood sound board.

Neck:  Honduran Mahogany with carbon fiber truss rod.

Honduran and Redwood Baritone Ukulele

Kinda an all Honduran thing.

Fret Board and Bridge:  Western Ebony with gold “evo” frets.  1 3/8″ nut, 21″ scale with 15 frets to the body.

Binding:  India Rosewood with fuchsia/black fiber purfling.

Accent woods:  Honduran Rosewood in all areas with the exception of the bevel cut-a-way which is Australian red mallee burl.   The cut-a-way was an after-thought as I am trying to use a composite of woods and fiber but wanting to make it simple enough to be time and cost effective.  It isn’t necessary with this 21″ scale and I think I’ve decided not to make it a standard feature.

Bracing:  Adirondack for the top and Sitka for the back.

The rest of the build.

Tuners:  Gotoh UPT.

Nut and Saddle:  bone.

Strings:  Oasis baritone “linear”.  The client is a classical guitar player and has changed the wound  3’rd to a flourocarbon to match his guitars.

Case:  Crossrock ABS.

Honduran and Redwood Baritone Ukulele

Just barely fits in this Crossrock case.

And.

This instrument is kinda experimental and built as a non-custom but was snapped up before I could  post for sale?

Built to my new baritone shape and size I was wondering how it might compare with the Brazilian and Redwood that I sent out last month.  I’d have to say “comparable”.  The redwood/rosewood combo really sings especially with the volume of this instrument. The ’94 redwood has a different look than the Fort Ross Chapel wood and is, I believe, a touch warmer.

The client is so happy that he’s already ordered another but with warmer woods for perhaps a different sound.  I’m also very interested so we have selected Pomelle Sapele with it’s killer looks for the back and sides and an Alaskan bearclaw top of moderate density–no cut-a-away.   I’ll brace the top again with the Adirondack just to maximize the comparison.

There you go, you’re basic Honduran and Redwood Baritone Ukulele.